Tag Archives: Roger W. Smith

cityscapes

 

Observed a father and his daughter in a Dunkin’ Donuts a little before six this morning.

They looked so in sync and happy to be together. You don’t see that in public so often.

The father looked to be in his thirties and had a neatly trimmed beard. He was wearing a T-shirt. He was drinking a large coffee. When he left, he put on a black quilted jacket with a hood.

The girl, who also had a drink, had black hair (like her father) and was wearing a jersey and slacks, both of the same material (cotton or flannel?), both red. She was animated and was happily chattering away. I would guess she was around seven years old. Her legs were dangling; her feet didn’t reach the floor.

The father would break into a laugh. He was giving his daughter his full attention. You could sense how much they were enjoying each other’s company.

When they got up to leave, I almost felt disappointed — they had made the place especially cheerful. The father zipped up her coat. It was light blue polyester. She was clutching a rag doll.

I watched them through the big plate glass windows as they left and turned a corner, chattering away, and disappeared from sight.

They were like two best friends.

—  Roger W. Smith

    May 6, 2018

 

in a towered city, far from the busy hum of men

 

First Avenue 3-5-2018

First Avenue between 48th and 49th Streets, looking north

I had an appointment in the City this afternoon. Having been remiss about walking lately, I decided to walk home. It takes me about two and a half hours.

Walking is an excellent antidote for depression. I was depressed over two deaths that have deeply affected me: of a dear lifelong friend and of a relative my age. And I have experienced unpleasantness lately in interpersonal relationships.

The early evening, dusk, is such a peaceful time. Walking eastward on East 48th Street and northward on First Avenue, I felt this. A serenity came over me. The few people out looked unhurried and peaceful themselves. The mean-spirited persons I know seemed irrelevant, a feeling that was welcome.

One often feels a sense of excitement and pulse of unrelenting activity in Manhattan. But at other times, one almost feels a stillness akin to being far removed from what the poet Milton called “the busy hum of men.” It’s like being in the eye of a hurricane.

Don’t go on a cruise or to a remote tourist spot to escape your problems and tormentors. You’ll be walled in like a patient in an asylum. Go instead to a city, get lost in it, and walk it in the early morning or evening.

 

— Roger W. Smith

    March 2018

waiting for …

 

“New Yorkers are accustomed to waiting. They wait, usually with Job-like patience, for a long-overdue train to pull into the station. …”

— editorial, New York Times, February 28, 2018

 

*****************************************************

This is typical pomposity and snootiness on the part of the New York Times Editorial Board. “Job-like patience”? A ridiculous allusion meant to impress and which shows a tin ear as well as a lofty disdain for the grubby actualities of city life. And, a lack of knowledge of life as it is actually lived in the City.

Do they ever deign to themselves ride the subways along with common folk?

In their high handedness, they remain oblivious to — or perhaps just don’t want to acknowledge (because they would have less to pontificate about) — the fact that the waiting time for New York subways is incredibly short, with very few exceptions. I know. I grew up in Boston, where one often has to wait 15 or 20 minutes for a subway during peak hours (whereas, during rush hour in New York on the most heavily traveled lines, trains arrive every four to five minutes).

To affect disdain for the subway is fashionable now. No doubt, service improvements can and should be made, and upgrades are necessary. But the subway system transports millions of New Yorkers every day and is an indispensable part of city life. That it works as well as it does is a reason for rejoicing.

Yes, rejoicing. The complainers don’t realize how vital the subway is to the city. Ask riders who rely on it. Most of them can’t afford to live in Manhattan or pay for alternative forms of transportation.

Believe me, the Times editorial writers don’t care about how the little people live or what they think. They’re too busy telling the benighted masses what they think is good for them, when it is actually the opposite.

 

— Roger W. Smith

  February 2018

we are blessed (and so am I): racial diversity in New York

 

This past fall, I saw the film Ex Libris, directed by the documentary filmmaker Frederick Wiseman. It is a documentary film about the New York Public Library, both the library system itself and the vital role it plays in the life of the City.

The film includes scenes of library patrons participating in discussion groups. In one scene, a discussion group at the library’s main branch on Fifth Avenue is engaged in a lively exchange of views about Gabriel García Márquez’s novel Love in the Time of Cholera with respect to romantic love. There were several scenes of library patrons participating in similar meetings and discussion groups at branch libraries in Manhattan and in other boroughs such as the Bronx. Some were about books, some involved a presentation cum discussion on topics of current interest. Others concerned how to make the library more accessible or serve community needs better.

Something that struck me was that the racial/ethnic composition or makeup of the various local groups seen in the film was so diverse. Well, one might say, would you not expect this in a city such as New York? Everyone knows it is racially heterogeneous and always has been.

Yes, but.

I observed the same thing at a business presentation not long ago: a presentation by persons associated with an entrepreneurial company for attendees who had recently become involved as independent partners and persons interested in getting involved. It was a relatively small group and there was a lot of interaction among the attendees.

What I have observed is that in New York, people do not seem to notice or take account of racial differences. They just plain don’t matter.

At both the library sessions seen in the film and at the business meeting I attended, the ethnicity was varied: whites, blacks, Hispanics, Asians, and other groups. And, it was not as if there was just a smattering of or token representation by one racial or ethnic group or another. All were amply represented. There had obviously been no conscious effort to achieve “diversity” in the makeup of the audience/participants. It had just resulted, naturally, that the groups were notably diverse. In both instances, one did not get the sense of any one group predominating in any sense, numerically or otherwise.

The discussions were spirited. Persons were engaged. At no time — I observed this both in the film I saw and as a participant/observer at the business meeting — does one ever get the sense of consciousness by anyone — meaning speakers or audience; the give and take of participants who had something to say or just looked on with interest; group discussions — of race, their race or anyone else’s, being a factor that was taken or that one was expected to take into account, or that actually was noticed (which is to say, by an impartial observer), from what I could observe. Race was not a factor in any shape or form. It was clearly not something that might affect the content of the discussion and how someone or their contributions were viewed. People were just plain friendly and respectful, period. No one looked to be guarded or on the defensive. Everyone seemed fully accepted and welcomed. A priori. As a matter of course. No one is unwelcome nor patronized or talked down to.

In New York City, race really doesn’t seem to matter — as a public thing, that is: in social interactions and events, business, or commerce. In other words, in daily life, which goes on as it should. This is a welcome and edifying thing. It energizes and gladdens me.

 

— Roger W. Smith

  December 2017

the snow shovelers

 

Our front doorbell just rang while I was busy on my computer. Somewhat annoyed, since it was the umpteenth time today (lots of Christmas deliveries), I trundled downstairs and answered the door. Saw no one on the doorstep.

Within a second or two, two boys were in front of my stoop. Nice looking boys with cherubic faces. About age eleven, I would guess. Snow shovels in hand. A few inches of snow had just fallen.

Without giving them a chance to speak, figuring I didn’t want to waste their time, I told them, peremptorily (and recalling a few times when we have gotten ripped off in the past by boys we agreed to let shovel our driveway), “No, thanks. Don’t need shoveling.”

They politely left.

I was thinking about how, in Cambridge, Massachusetts, when I was about the same age, my friends and I used to go around knocking on doors asking to shovel people’s front porches and walks. What a golden opportunity a snowstorm presented to make pocket money. Fifty cents to shovel their front steps and walk. A whole two dollars sometimes for a driveway.

I ran upstairs to tell our tenant about the cute kids I had just seen. My wife wasn’t home; I couldn’t tell her.

“No, she [our tenant] won’t care,” I thought.

What to do with my good holiday feelings? Let them shovel our walk!

I ran downstairs to see if the boys were still around. No one in sight. I shouted as loud as I could, “Boys! Snow shoveling!” They reappeared.

“How much to shovel our stoop and walk?” I asked. They didn’t have a figure in mind.

“Would five dollars be all right?” I asked. They nodded yes.

A few minutes later, my bell rang again. The boys were standing there, wishing to discuss some “technicalities” regarding ice (or something of that sort) on the sidewalk. Handsome lads with ruddy faces, one with a parti-colored knit cap. Obviously wanting to do a good job. Impressive conscientiousness.

“Looks like you did a good job,” I told them. “Here’s two more dollars.”

I asked them what school they attended, and they told me they were both in the sixth grade.

I felt like Ebenezer Scrooge on Christmas Day. When he asks a boy whom he espies through his upstairs window to buy a prize turkey for the family of his clark.

— Roger W. Smith

  December 15, 2017

 

*****************************************************

‘It’s Christmas Day!’ said Scrooge to himself. ‘I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!’

‘Hallo!’ returned the boy.

‘Do you know the Poulterer’s, in the next street but one, at the corner?’ Scrooge inquired.

‘I should hope I did,’ replied the lad.

‘An intelligent boy!’ said Scrooge. ‘A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there? — Not the little prize Turkey: the big one?’

‘What, the one as big as me?’ returned the boy.

‘What a delightful boy!’ said Scrooge. ‘It’s a pleasure to talk to him. Yes, my buck!’

‘It’s hanging there now,’ replied the boy.

‘Is it?’ said Scrooge. ‘Go and buy it.’

‘Walk-er!’ exclaimed the boy.

‘No, no,’ said Scrooge, ‘I am in earnest. Go and buy it, and tell them to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!’

— Charles Dickens, A Christmas Carol, Stave Five

Lincoln Center; the ruminations of a “genius”

 

I emailed the following comment to my wife last month: “Do you realize that you married a genius?”

Don’t worry, I said it in jest. Or at least half in jest. It’s okay to make such comments, jesting or not, to one’s spouse.

She responded, “Let’s not get carried away, dear.” She tends to keep me from getting a swelled head. She is never awed by me. Admires me, yes. Knows my weaknesses all too well. Takes me with a grain of salt. Isn’t given to making exaggerated claims about anyone, including herself.

 

*****************************************************

In a previous post

“a Carnegie Hall concert”

a Carnegie Hall concert

I wrote, about Lincoln Center:

I have never liked Lincoln Center. It’s a sterile “arts center” with worse seating and acoustics than Carnegie Hall. The architecture is typical 1960’s (think Shea Stadium): functional but uninspiring. Lincoln Center ruined a neighborhood; the surrounding streets have no street life. There are hardly any restaurants, watering holes, cafes, or places of interest, other than one or two rip-off restaurants on the other side of Broadway, across the street from the main entrance.

 

*****************************************************

Further thoughts of mine re Lincoln Center (since my post):

the main plaza is dreary … it’s raised above street level … one has to walk up a stairway to get to it

there are always few people on the main plaza … they don’t look happy

there is no “through traffic” (pedestrian, that is) … it is not welcoming

there is no life, no animation to the horrid “arts center’ or the surrounding area

See my photos below.

IMG_2904.JPG

Lincoln Center; photo by Roger W. Smith; December 2017

IMG_2889.JPG

Lincoln Center; photo by Roger W. Smith; December 2017

 

*****************************************************

Guess what? The pioneering urban theorist and writer Jane Jacobs, who became famous for her book The Death and Life of Great American Cities, said essentially the same thing:

… the street, not the block, is the significant unit. … When blight or improvement spreads, it comes along the street. Entire complexes of city life take their names, not from blocks, but from streets — Wall Street, Fifth Avenue, State Street, Canal Street, Beacon Street.

… Believing their block maps instead of their eyes, developers think of downtown streets as dividers of areas, not as the unifiers they are. … The Lincoln Center for the Performing Arts in New York is a case in point. This cultural superblock is intended to be very grand and the focus of the whole music and dance world of New York. But its streets will be able to give it no support whatever. Its eastern street is a major trucking artery where the cargo trailers, on their way to the industrial districts and tunnels, roar so loudly that sidewalk construction must be shouted. To the north, the street will be shared with a huge, and grim, high school. To the south will be another superblock institution, a campus for Fordham.

And what of the new Metropolitan Opera, to be the crowning glory of the project? The old opera has long suffered from the fact that it has been out of context amid the garment district streets, with their overpowering loft buildings and huge cafeterias. There was a lesson here for the project planners. If the published plans are followed, however, the opera will again have neighbor trouble. Its back will be its effective entrance; for this is the only place where the building will be convenient to the street and here is where opera-goers will disembark from taxis and cars. Lining the other side of the street are the towers of one of New York’s bleakest public-housing projects. Out of the frying pan into the fire.

— “Downtown Is for People,” Fortune, April 1958

… New York consists of an intricate, living network of relationships–made up of an enormously rich variety of people and activities. … Consider the interdependence, the constant adjustment, and the mutual support of every kind which must work, and work well, in a city like ours.

This cross-crossing of relationships means, for instance, that a Russian tea room and last year’s minks and a place to rent English sports cars bloom well near Carnegie Hall. …

All that we have in New York of magnetism, of opportunities to earn a living, of leadership of the arts, of glamor, of convenience, of power to fulfill and assimilate our immigrants, of ability to repair our wounds and right our evils, depends on our great and wonderful criss-cross of relationships. …

This is all so obvious it should be unnecessary to mention. But it is necessary, for our slum clearers, housing officials, highway planners and semi-public developers have been treating the city as if were only a bunch of physical raw materials – land, space, roads, utilities. They are destroying New York’s variety and disorganizing its economic and social relationships just as swiftly and efficiently as rebuilding money can destroy them.

The most direct destruction is, of course, associated with clearance, and this is a painful aspect of slum elimination of which we are becoming aware. It was described well by Harrison Salisbury, in his New York Times series on delinquency. “When slum clearance enters an area,” says Salisbury, “it does not merely rip out slatternly houses. It uproots the people. It tears out the churches. It destroys the local businessman. It sends the neighborhood lawyer to new offices downtown and it mangles the tight skein of community friendships and group relationships beyond repair.”

…. Our rebuilders have no idea of what they are destroying, and they have no idea of repairing the damage – or making it possible for anyone else to do so. The entire theory of urban rebuilding rests on the premise that subsidized improvements will catalyze further spontaneous improvement. It is not working that way in New York. Living communities, portions of living commercial districts, are so ruthlessly and haphazardly amputated that the remnants, far from improving, get galloping gangrene.

Furthermore, the newly built projects themselves stifle the growth of relationships. We are now conscious that this is true of the huge public housing projects. What we may not be so aware of is that this stifling of variety and of economic and social relationships is inherent in the massive project approach itself, whether public or private housing or anything else.

Take the Lincoln Center for Performing Arts for example. It is planned entirely on the assumption that the logical neighbor of a hall is another hall. Nonsense. Who goes straight from the Metropolitan Opera to the Philharmonic concert and thence to the ballet? The logical neighbors of a hall are bars, florist shops, non-institutionalized restaurants, studios, all the kinds of thing [sic] you find on West Fifth-seventh Street or along Times Square or generated by the off-Broadway theatres down here in the Village. True, halls and theatres are desirable to each other as nearby neighbors to the extent that their joint support is needed to generate this kind of urbanity and variety. But Lincoln Center is so planned and so bounded that there is no possible place for variety, convenience and urbanity to work itself in or alongside. The city’s unique stock-in-trade is destroyed for these halls in advance, and for keeps, as long as the Center lives. It is a piece of built-in rigor mortis. [italics added] …

Lincoln Center shows a brutal disregard for still another type of urban relationship. It will have a catastrophic effect on Amsterdam Houses, a ten-year-old, 800-family public housing project. Amsterdam Houses is now bordered by factories, railroad tracks. garages and institutions except on its eastern side. On that one side, fortunately, it faces, across the street, forty-eight lively neighborhood stores, part of a non-project, ordinary community. The stores and the non-project community will be cleared out to make way for Lincoln Center. The tenants of Amsterdam Houses will therefore no longer have neighborhood stores or any contact with non-project community life, which they desperately need. Instead they will have the Metropolitan Opera. This project will be utterly shut off to itself and isolated. I should think its people would explode. What kind of irresponsibility it this that deliberately and at great expense, makes intimate neighbors of public housing and the Opera, depriving each of the neighbors it needs?

— “A Living Network of Relationships”; speech at The New School for Social Research, April 20, 1958

 

*****************************************************

Jane Jacobs and I both think, see, and say the same things. I am convinced she was a genius. She stood urban planning and the way people think about cities on its head.

Ergo, I am a genius.

Just kidding.

But, I see in her writing and views similarity to my own writing and cast of mind. For example:

We are both by nurture and nature contrarians.

We are liberal on many social and political issues, but we have a deep, ingrained strain of conservatism. Some commentators perceived Jacobs, who was arrested for anti-government and antiwar protest activities, as being reactionary.

We both rely on good old plain thinking more than education or professional credentials. We try to think everything through anew, to see it for ourselves — through our own eyes — to examine it “from the ground up.” We don’t tend to be influenced by accepted doctrines.

We both distrust big government and social engineering.

We are both essentially apolitical, but apt to be attacked for our views.

She is refreshingly jargon free. She writes simply and clearly (and, persuasively).

Does my writing compare? I will leave it to the judgment of readers of this blog. But, you know what, I think it does. So there!

 

— Roger W. Smith

   December 2017

“I hear and behold God in every object”

 

I hear and behold God in every object, yet I understand God not in the least,

Nor do I understand who can ever be more wonderful than myself.

— Walt Whitman, Leaves of Grass

 

*****************************************************

I am not sure how the last part of the assertions made by Whitman might apply to me. But, I felt the truth of what he says about God’s presence everywhere during a day long ramble yesterday on Staten Island.

 

— Roger W. Smith

   November 26, 2017

 

***************************************************

SI 1

IMG_1514.jpg

SI 2

SI 3.JPG

photographs by Roger W. Smith

“I went to the school of New York.”

 

“A whale ship was my Yale College and my Harvard.”

— Herman Melville, Moby-Dick

 

*****************************************************

I was talking on the phone today with my longtime friend from my first days in New York, Bill Dalzell. He told me something that his dear friend Edwin Treitler once said to him. Ed Treitler, who recently passed away, was an artist, writer, and spiritual counselor/healer.

The quote, which struck me forcibly and rung true, was short and pithy: “I went to the school of New York.”

The school of New York. Herman Melville would have perceived instantly what this meant.

It rings so true when I consider my own experience.

 

*****************************************************

I had a very good education, for which I am very grateful. Then, I went further.

I moved to New York City right after graduating from college, and my education really began. Or was on a new plane. Something like that.

I had never seen a really good film. Had never, I believe, patronized an art film house. Had often frequented bookstores, but had never seen so many used bookstores cheek by jowl with so many interesting books, including many by avant-garde writers who were usually not taught in college.

I had never read so intensely and deeply before in such weighty works. I had never met such intellectually stimulating people. Many of them, most of them, I met in totally offhanded and unanticipated ways, in places where you would not expect to find someone smart and interesting, often in the workplace. (It reminded me of Theodore Dreiser’s friends in his early Chicago days; see below.)

I met many such persons in my early days in Manhattan: a poet who it seemed had read the whole corpus of great poetry — and knew all those currently active, including the New York School of poets (and who took me with him to poetry readings in Manhattan) — and practically every important work of literature from time immemorial, ranging from Roman poets such as Juvenal and Sextus Propertius to the most recent and challenging fiction by writers such as Thomas Pynchon … a printer who was thoroughly immersed in mysticism and the visual arts (and whom I tagged along with to the Metropolitan Museum of Art and the Whitney; from him I became acquainted with painters such as Edward Hopper, whom I had never heard of) … and so many people whose ideas piqued me and who submerged me in new areas of thought and “mental adventure” and who introduced me to books, painters exhibited in the City’s museums and galleries, filmmakers, and such that I would probably never have learned about.

The true intellectuals, I find, are often buried in the woodwork, are in the back office or hunkered down over a desk doing drudge clerical work (as was I).

I had such stimulating conversations with people I met at random in taverns and at work, or with their friends. Almost none of them were well off, and most were at a stage in their lives where they were starting out and did not have impressive credentials, or were perhaps older but had never become credentialed. They were barely making it. But they had a deep passion for ideas, the arts, and culture.

I instinctively took to such a milieu as a duck to water. I bathed in it, drank of it. I grew immeasurably intellectually. I became sophisticated culturally and intellectually. I became a hundred percent better informed, better read, better educated.

 

*****************************************************

It has been said that New York is like no other city in the world. For me, this was true. There is an openness to ideas there, a wonderful tolerance, an acceptance of people without any expectation that one must conform. Loners are accepted. (I was afraid I might be perceived as a loner when I first came to New York knowing no one.) Eccentrics are accepted. People of all ideologies and belief systems are accepted, and of all backgrounds. Stimulating conversation by highly aware, well informed, intellectually alive, and intelligent people is the norm.

Cultural sophistication comes with the territory. The arts are almost upon you, so to speak, are omnipresent. It’s almost impossible to be in New York and not to be aware of them and influenced, liberated, and exhilarated by them. New York broadens you, stimulates you, educates you anew. And keeps right on stimulating and educating you.

 

— Roger W. Smith

   November 3, 2017

 

*****************************************************

Addendum:

In his autobiographical work Dawn, Theodore Dreiser portrays an individual he met as a young worker in Chicago during the 1890’s. Dreiser was employed in the warehouse of Hibbard, Spencer, Bartlett & Company, a wholesale hardware firm, at a salary of five dollars a week, as a “box-rustler” and “stock-piler.” A coworker whom Dreiser befriended and who fascinated him was Christian Aaberg, a Dane. Dreiser describes him as a “little rickety, out-at-the elbows, shambling man, with a wrinkled, emaciated, obviously emotion-scarred face, who at forty or forty-five and after God knows what storms and rages of physical and mental dissipation, still had about him that indescribable something which for want of a better word I must speak of as breeding.”

Aaberg was of little or no value to the firm, for he could do no hard work and the powers that were could not trust him with the more complicated, though less strenuous, task of filling orders. As he himself admitted, he drank and dissipated here as in the past and often wondered aloud why it was that … the firm stood for him. … He was shabby and sickly to look upon. Yet … there was that strong, seeking, vital light in his eye at times. … within two or three weeks we were fast friends intellectually, and there followed a series of conversations on life and character, the import of which has endured to this day.

He had read—God knows what! —everything! And he it was who talked to me of Ibsen, Strindberg, Grieg, Goethe, Wagner, Schopenhauer. He would talk to me by the hour, as we piled pots and pans or buckets of bolts or rivets. of the French Revolution and the great figures in it, of Napoleon, Wellington, Tsar Alexander, Also of Peter the Great and Catharine of Russia, Frederick the Great and Voltaire, whom he admired enormously. But not the silly, glossed, emasculated data of the school histories [italics added] with which I had been made familiar, but with the harsh, jagged realities and savageries of the too real world in which all of them moved. And, again, of Greece, of the age of philosophers, logicians, playwrights, sculptors, architects, statesmen, warriors. He revealed as much as any history could—why it was that Aristotle was the first of the organic and realistic thinkers; why Heraclitus would always be remembered. He also told me why Socrates had been compelled to drink the hemlock; that the cross was originally a phallic symbol; elucidated for me the mysteries of the Egyptian temples, the religious festivals of the Parsees, Chaldeans, Assyrians, Persians. … When I told him that that our family was Catholic and I still went to church, he smiled. “You will come out of that,” he said. “You are already out and don’t know it?”

— Theodore Dreiser, Dawn: An Autobiography of Early Youth, Chapter 61

an island … a city surrounded by WATER

 

photographs by Roger W. Smith

 

*****************************************************

The photographs posted here above were all taken by me within the past few months in Manhattan, Brooklyn, and Queens, NYC.

I love skylines, love dense clouds. New York City has wonderful skylines. You can’t really see them from Manhattan, but you can from the waterside and from the outer boroughs, which have lower buildings.

It is wonderful that Manhattan is an island bounded by water: the ocean (New York Harbor), the East River, the Hudson River, the Harlem River.

One thing this does is prevent urban sprawl and the development of a megalopolis ending nowhere.

It also gives the city an almost enchanted quality or aspect.

As Herman Melville put it in Moby-Dick (Chapter 1, ‘Loomings”):

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? … There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water. … Yes, as every one knows, meditation and water are wedded for ever.

 

— Roger W. Smith

   October 2017

epiphany II

 

The following is an email of mine.

 

— Roger W. Smith

   September 28, 2017

 

*****************************************************

Janet and Scott —

In my blog post

“epiphany”

epiphany

from a month or so ago, I described how I had a mystical experience while walking in Manhattan in the early evening that day after leaving the library.

I experienced this again this evening under similar circumstances.

I had just taken the Staten Island ferry back and forth for pleasure. At rush hour.

It wasn’t that crowded, especially returning to Manhattan.

Everyone in a good mood, as usual.

Gorgeous sunset … other passengers and I were saying to one another how beautiful it was: the sky, the crimson clouds, the sinking sun shimmering on the water, the harbor.

I got off at around 7:00 and walked about three blocks to an Au Bon Pain on Broad Street.

Sat down and plugged my phone in to charge it.

Place more or less empty; two young women at an adjacent table were having a friendly, animated discussion.

The place is self-serve. I poured myself a large coffee from an urn … went to the counter where you pay; no one there … finally concluded, looks like this coffee is free.

I sat nursing my coffee for a while … and musing.

No one ever bothers you in the City; in Manhattan, in the midst of frenzied activity (though not at this moment) going on constantly around you and people everywhere, one can, paradoxically, attain great peace.

I walked uptown a couple of blocks to catch the number 4 train … in those moments, I experienced the epiphany.

It had cooled down and there was a wonderfully refreshing sea breeze on the sidewalks.

There are relatively few people in the Financial District (Wall Street area) at that time of day … what people there were, were sauntering along, with pairs conversing happily.

I had a feeling, surge, of profound happiness, serenity, and inner peace.

Roger